Bach Around the Clock

Hi Ginny,

Great to hear from you! We miss you and hope you’ll be able to join us
again soon.

Randy

On 5/16/19 3:15 PM, Virginia Dodson wrote:
> You all sounded great at BATC! The sound quality of the recordings was very good, too. Sorry I wasn’t able to join you.
>
> Ginny
>
>> On May 14, 2019, at 7:44 PM, Randy <randy@windsofsouthernwisconsin.org> wrote:
>>
>> Hi Winds,
>>
>> Recordings of our performance at Bach Around the Clock 2019 are available on the website. Thanks to Betty for passing it along!
>>
>> Randy
>>
>> —
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Spring 2017

Cynthia Cameron-Fix, Director
Arboretum Cohousing, April 29, 2017
Hugh Ashton (1485-1558) 
	Hugh Ashton's Maske
Thomas Lupo (c. 1571-1627) 
	Three Fantasias
Johann Sebastian Bach (1685-1750)
	Chorales
	1. Kyrie, Gott Vater in Ewigkeit
	2. O Haupt voll Blut und Wunden
	3. Befehl du deine Wege
	4. Christ ist erstanden.
Wolfgang Amadeus Mozart (1756-1791) 
	Divertimento (after K439b)
	Adagio
	Allegro
	Adagio
	Polonaise
	Allegretto
David Goldstein (1918-2003), arr.
	The Ash Grove (Welsh Song)
	Simple Gifts (Shaker Tune)
Pandelis Thalassinos (1958-)
	Tou Paradisou Lemoniá
Jan Jaap Langereis (1962-)
	Raindance
Ubaldo Di Gregorio (1951-)
	Consort breve (1984)
James Chaudoir (1946-)
	Waltz

Join Winds

Annual membership in Winds of Southern Wisconsin begins with the Fall semester and costs $30. The membership fee covers operating expenses including rental of the rehearsal space. Workshop fees are additional and help to pay for director fees, music, and performance space. Workshop fees vary but average about $70 for an eight week session with a performance.

Those interested in joining are invited to drop in to observe or play. Please contact us by email for more information about visiting.

Fall 2014

Cynthia Cameron-Fix, Director
West Madison Senior Center, November 22, 2014

Orlando di Lasso (Franco-Flemish, 1532-1594) Motet: Confitebor tibi, Domine

Thomas Morley (English, 1557-1602) Three Balletts
Shoot, False Love, I Care Not
My Bonny Lass, She Smileth
I Love, Alas, I Love Thee

Juan Bermudo (Spanish, c. 1510-c. 1565) Tientos & Hymns
Conditor alma siderum
Tiento del modo octavo
Tiento del modo primera con resabios de
quarto

Ludovico Agostini (Italian, 1534-1590) Four Canzoni
All’ arm’ all’ arm’
Tre cose son’ in terra
Solo e pensoso
La pastorella mia

Cesar Bresgen (Austrian, 1913-1988) Spanish Suite
Donda vas a por aqua, paloma mia?
Virgen Blanca
Todos los bienes del mundo
Hommage à Sanlucar

Andrea Gabrieli (Italian, 1532-1585) Dunque fia Vero
Dunqu’il Consenti

Fillipo Azzaiolo (Italian, 16th c.) Four Villotte
Mille gentil salute
Girometta, senza te
E levaime d’una bella mattina
Bernardo non può stare

Ascanio Trombetti (Italian, 1544-1590) Salve Regina

Winter 2013

Louise Austin, Director
State Capitol, March 16, 2013

Will Ayton (b. 1948) Porque Llorax (Sephardic Song Setting)

Giovanni Legrenzi (1626-1690) Sonata Op. 10 No. 6

Martin Grayson (b. 1953) Quartet for Recorders (No. 1) (2008)
Andante

Melchior Franck (c. 1579-1639) Intrada—Pavana—Gaillard

Jean-Baptiste Lully (1632-1687) Chaconne from Phaeton (1683)
Chaconne des Scaramouches (1665)

Fugues
J. K. F. Fischer (1656-1746) & J. Prelude and Fugue in C Major
Chaudoir

J. S. Bach (1685-1750) Fuga IX

Glen Shannon (b. 1966) Prelude & Fugue No. 1

Johann Staden (1581-1634) Kanzone

Glen Shannon Jazzy Prelude and Fugue

Andrew Charlton (1928-1997) Kemp’s Jig

Alyson Lewin Midsummer Morris

Fall 2012

Elizabeth Marshall, Director
State Capitol, November 17, 2012

Girolamo Ferescobaldi (1583-1643) Fantasia in Four Parts

Gesualdo da Venosa (c. 1560-1613) Felicissimo sonno Se vi duol il mio duolo
Occhi del mio cor vita

Alfonso Ferrabosco (?-1628) Die Sei Bassi

Anonymous (c. 1600) Paduana: Bona Sperenza

Hans Leo Hassler (1564-1612) Motette: “Dixit Maria”

John Dowland (1563-1626) Unquiet Thoughts
Can She Excuse My Wrongs?
Burst Forth My Tears
Come Again: Sweet Love Doth Now Invite

Bartlomeo Tromboncino (c. 1470- Ave Maria
post 1535)

Diomedes Cato (?1560-65-?1607- Fantasia Chromatica
1618)

Jean Baptiste Lully (1632-1687) Concert du soupé du Roi 1707
Bourée
Premier Rigaudon
Sarabande
Laure
Grand Air en Suitte
Rondeau en Suitte

Peter Phillips (c. 1560-1628) Ascendit Deus

Spring 2012

Laura Medisky, Director
State Capitol, May 19, 2012

Henry Purcell (1659-1695) First Set of Pieces (from The Faerie Queen)
Hornpipe
First Act Tune: Jig
Song Tune: If Love’s a Sweet Passion
Song Tune: Happy and Free
Monkey’s Dance

Anonymous (early 16th c.) Assumpta est Maria
First Part
Second Part: Beate est

William Byrd (1540?-1623) “The Leaves Be Green”

John Adson (c. 1687-1640) Courtly Masquing Ayres
Nos. 9, 1, 2

Thomas Tomkins (1572-1656) Fantasy
Cristóbal de Morales (c. 1500- Motets for Four Voices
1553) Clementissimo Christi Confessor
Regina Caeli Laetare
Pastores, Dicite, Quidnam Vidistis

Giovanni Gabrieli (c. 1554-57- Chiar’ Angioletta
1612)

Thomas Tompkins (1572-1656) Pavan and Galliard
Jean Richafort (c. 1480-c. 1547) Il n’est sy doulce vie
Ninot le Petit ( late 15th-early Et la la la
16th c.) Mon amy m’avoit promis

Lodovico Grossi da Viadana La Napolitana
(c. 1560-1627)

Fall 2011

Elizabeth Marshall, Director

Melichor Borchgrevinck
Paduana I and II

Antoine Busnois
Amours fait moult, On a grant mal, Votre beaute, Et qui la dira

Cipriano.da Rore
A la dolc’ ombra

J.S. Bach
Art of the Fugue (Contrapunctus I)

Thomas Crecquillon
Oncques Amour

Ludovico Grossi da Viadana
Canzona la Padovana

Thomas Morley
Fire, Fire!

Renaissance Polish Dance Suite
I Grave
II. Allegro
III. Andante
IV. Allegro Molto

Alessandro Grandi
Fantasia I

Wolfgang Getzmann
Fantasia II